Nova Scotia man banned from owning animals for life

A Nova Scotia man has been banned from owning pets for life after pleading guilty under the Animal Protection Act this week.

On January 19, 2016, the SPCA received a complaint that alleged multiple dogs were tethered outside without adequate shelter at a property in Kings County, N.S.

Three dogs were located – all were emaciated, anemic, severely matted and in extremely poor condition. One was found frozen to the ground by its chain and unable to stand.

The three dogs underwent extensive veterinarian care and were successfully rehabilitated and adopted.

Thursday, Leroy Marshall pleaded guilty to a charge of causing an animal to be in distress under the Animal Protection Act and was handed a lifetime ban on owning companion animals.

Why Do We Love Some Animals But Eat Others?

Attitudes toward animals are a delicate and complicated matter.

We can group animals into vertebrates and invertebrates, into the wild and the domestic — or into those we keep as pets, those we eat and those we regard with disgust as vermin.

It's okay to love them — but only so much.

And there's the question of what types of animals you can love. You're allowed to love a dog or a cat. But can you, should you, is it appropriate, to love other kinds of animals? My brother had a hermit crab when he was a boy. I don't know how he felt about it — but can a healthy, well-rounded person love a hermit crab?

I'm not passing judgment. It strikes me that the shifting, unstable, historical, emotional, playful and earnest feelings we Americans have about animals has a lot to do with other kinds of value, meaning and quality in our lives.

And, so, it is with a real sense of curiosity that I wonder about our varying relationships with animals. Why, for example, it is that we do not even notice road kill, for the most part — let alone stop to mourn it? And what can be said about the fact that the sale of bull semen is a big part of the cattle industry — and the methods used to create supply?

You can get the salacious details in Jane C. Desmond's fascinating new book Displaying Death and Animating Life: Human-Animal Relations in Art, Science and Everyday Life. This is a scholarly work devoted to looking at the variety and tensions surrounding human-animal relations in, as the subtitle puts it, art, science and everyday life. Her focus, in this gripping book, is our contemporary American society (to the extent that there is any such a unified thing).

She investigates, for example, our pet burial practices and the ways in which these are similar to but also so very different from those surrounding human burial. Perhaps precisely because there is, or continues to be, as it happens, something marginal, ridiculous or even outrageous about the very idea of a pet cemetery, these have become, she shows, places for creative and improvisatory engagement with death and mourning. Only a very small fraction of the millions and millions of American pet owners bury their deceased pets in designated pet graveyards. She makes a good case, though, that such burial practices — she also explores the writing of pet obituaries — help us understand shifting conceptions of family and kinship.

Of particular interest to this reader is Desmond's level-headed treatment of the phenomenon of "art" by animals. Desmond is careful to tease out the many different sorts of factors lurking behind what is no doubt a growing market. She recounts the sale of three paintings — by an ape — that fetched $30,000 at a London auction house in 2005.

Students of animal cognition and human evolution, as well as those interested in raising funds for zoos and other animal-oriented philanthropies, all have a vested interest in the production and study of so-called animal art.

But do animals really make art?

Art, as we know it in the human world, happens against the background of shared culture. We use the term"outsider" art to refer to paintings, buildings, quilts, etc., by people lacking the usual training and career formation of professional artists. But the idea of art that is truly outside culture — as an animal art would have to be — is a nonstarter. It would be like imagining that animals in nature might make touchdowns. You need football — a whole practice — to get touchdowns.

Unless of course, as Desmond considers, there are animals that are not, or not entirely, outside culture because, as in the case of some chimpanzees and other nonhuman primates, they have been raised with humans and so are, in a genuine sense, at home in a bi-species environment.

Desmond notes the political meanings that may be attached to the question of animal art. If an ape is, or even might be, an artist, she considers, this could be taken to have a bearing on what sort of political obligations we have to them. When people purchase a painting by a chimpanzee to put on their wall, they may be motivated, as Desmond puts it, by the ideal (or perhaps the fantasy) of subverting the presumed primacy of the human.

She may be right about this. But I would hope that we don't make the mistake of holding the moral standing of nonhuman lives hostage to their status as would-be artists and writers. For their sake, I mean.

This is an important and moving book. Reading it is a bit like catching an unexpected glimpse of yourself in a reflection and being worried about what you see. How is it that we remain, as a culture, so largely unreflective about animals and their place in our lives?

Top 10 Longest Living Critters

More than a dozen animals live longer than we do. A new study estimates that at least one Greenland shark lived about 392 years, making it the longest-living animal with a backbone.

Here are the animals that the scientific longevity database AnAge says have lived the longest. Many of these live in the cold and in water.

The longest-living human reached 122.5 years.

1. Hexactinellid sponge: One of these Antarctic sponges lived for an estimated 15,000 years.

2. Epibenthic sponge: Another Antarctic sponge that is generally estimated to live 1,550 years.

3. Ocean quahog: This clam, nicknamed "Ming," had its rings measured and it had lived 507 years.

4. Greenland shark: A new study estimates the age of one of these sharks at 392, but it could have been somewhere between 512 and 272 years old when it died.

5. Bowhead whale: One male bowhead living in the Arctic waters was estimated to be 211 years old when it died.

6. Rougheye rockfish: These red fish of the North Pacific have lived to be 205 years old and show little effects of aging in life.

7. Red sea urchin: The spiny critters also don't seem to age much and are estimated to live about 200 years.

8. Galapagos tortoise: These slow moving creatures seen by Charles Darwin have lived as long as 177 years.

9. Shortraker rockfish: These orange-pink fish have lived up to 157 years.

10. Aldabra tortoise and Lake sturgeon: A tortoise that died at a zoo was 152 years old; unconfirmed reports put some of these tortoises living up to 180 years. One lake sturgeon, a bottom-feeder fish, is reported to have lived to be 152.

Internally coupled ears enable directional hearing in animals

Humans use the time delay between the arrival of a sound wave at each ear to discern the direction of the source. In frogs, lizards and birds the distance between the ears is too small. However, they have a cavity connecting the eardrums, in which internal and external sound waves are superimposed. Using a universal mathematical model, researchers at the Technical University of Munich (TUM) have now for the first time shown how new signals are created in this "inner ear" used by animals for localizing sounds.


A model for 15,000 species

Now, scientists working led by Leo van Hemmen, Professor of Theoretical Biophysics at the Technical University of Munich (TUM) have for the first time developed an universal mathematical model that describes how sound waves propagate through the internally coupled ears and which clues for localizing sound sources are created in the process.
"Our model is applicable to all animals with this kind of hearing system, regardless that the cavities between the eardrums of the various species look very different," explains van Hemmen. "We now understand what exactly happens inside the ears of these animals and can both explain and predict the results of experiments in all sorts of animals." Over 15,000 species have internally coupled ears - that is more than half of all land-dwelling vertebrate animals.

External and internal signals in concert

Using their model, van Hemmen and his team discovered that the animals have even developed two different methods of hearing with internally coupled ears. They occur in different frequency domains and augment each other.
In sounds below the fundamental frequency of the eardrum the time difference in the superposition of the internal and external signals is amplified up to five-fold. That is sufficient to facilitate sound localization.
In higher frequencies the time difference can no longer be evaluated. Here, another property of the signal becomes relevant: The difference in the amplitude, i.e. the loudness, of the sound perceived by the ears. "The amplitude difference occurs solely through the coupling of the two ears," explains van Hemmen. "That was a surprising result."

When Art Goes to the Dogs

Cats may rule the internet, but dogs rule the art market. At least, according to one of the world’s oldest and most venerable auction houses.


Bonhams will host its 35th annual dog-themed art auction, “Dogs in Show and Field: The Fine Art Sale,” in New York on February 17, featuring over 150 examples from some of the leading artists—and dog breeds—in the niche but highly popular category. The sale is strategically timed to coincide with the prestigious annual Westminster Dog Show, which celebrates its 140th edition this year.

The house’s dog-themed sales have included paintings and “dogiana” (collectible ephemera such as collars and trophies) from the late 19th and early 20th centuries, and began initially in England but caught on in the U.S. 17 years ago.

In recent years, Bonhams has expanded its sales to include contemporary dog-themed works by artists including William Wegman, world famous for his photographs of Weimaraners, and George Rodrigue, known for his iconic “Blue Dog” paintings. The sales once featured paintings of cats too, said Mr. Fausel, but Bonhams began excluding those works 15 years ago when it became clear that there wasn’t a wide enough variety of feline breeds represented.

So just who buys dog-themed fine art? According to Mr. Fausel, 80 to 90 percent of buyers are from the U.S. and the work is extremely popular with top executives of companies on Fortune’s 500 list and a laundry list of celebrities.

Why Do Dogs Sing Along to Music?

When I was 12, I began to play the oboe. Like any beginner, I was not good. And every time I held a long, out-of-tune note, my dog would instantly begin howling like some deranged four-legged backup singer. Dogs, of course, howl along to all sorts of music: the Law and Order theme song, “Let It Go,” and most ubiquitously these days, Adele's “Hello” among them.


Researchers have long been interested in this question. A student wrote in a January 1906 issue of Nature Studies on the subject of “Why Do Dogs Howl to Music” that writers for nature publications, “being mind-bound by the fetish of ‘evolution’ theories,” often look to the “primeval Dog” for answers. But evolution theory is actually a useful guide in this case: When dogs hear a human voice belting out a tune, their pack instincts kick in; they want to participate in the chorus. “It’s like a family singing,” animal behaviorist Peter Borchelt has said.

We can only wish we'd look this cute when someone comes into the room with a plate of cupcakes. Photographer Christian Vieler has captured the looks of wonder, anticipation, and determination on his subjects' faces as they're tossed scrumptious treats. And it's okay that their mouths go wobbly and their eyes all bulgy in the process, because his subjects are dogs.